Hold Your Breath!!
Written by: David Johnson and Alex Mace
Directed by: Jaume Collet-Serra
Starring: Isabell Fuhrman, Peter Sarsgaard, Vera Farmiga
Directed by: Jaume Collet-Serra
Starring: Isabell Fuhrman, Peter Sarsgaard, Vera Farmiga
A mother (Vera Farmiga) in a dying labor pain looks up when doctors say her child has died. Doctors and the mother look at the blood-soaked baby in shock when it starts crying. Above all that, the husband shows up with a camcorder. Now that is one bone-chilling creation from a twisted writer, or in this case a pair of writers (David Johnson and Alex Mace). Not sure if that was a necessary introduction for this cleverly written violent opera (Orphan) but honestly it is not the time to judge yet. Not for the sake of saving writers and director's (Jaume Collet-Serra) plea for freedom of expression but for the explanation in the end.
It is tough to find a decent thriller. If you agree the last three best thrillers were James Wan's Saw (2004) and Shyamalan's The Sixth Sense (1999) and Unbreakable (2000). Orphan, a tale of a couple who adopt a girl from an orphanage only to get thrown into a world of mis-deeds, mis-fortunes and mis-takes, could be added as the fourth cleverly twisted thriller of the past two decades. For that not only the writer and director but the shining star of this film Esther (Isabelle Fuhrman) should be appreciated with a round of applause. It is not just the idea that is the primary force behind the success but the screenplay fits well to the dark ambience. The argument of the violence justification perhaps will render itself un-necessary. The writing is hypnotic and shocking. The director doesn not fail to justice the screenplay. The false impression of ghostly possession of the protagonist leading to a conclusion is very 'Hitchcockian'. In fact the director makes a homage to the famous stop-light-confrontation of the leading lady by her boss in Psycho (1960), if stretched further to Butch-Marcellus confrontation in Pulp Fiction (1994). Another memorable scene is when camera sits next to sleeping Max (Aryana Engineer) in the dark room and the lightning flash from the window shows her adopted sister Esther standing next to her bed. Director accomplishes a horrifying tone to this thriller throughout. Watch for the modification of the studio logos in the beginning of the film.
It is tough to find a decent thriller. If you agree the last three best thrillers were James Wan's Saw (2004) and Shyamalan's The Sixth Sense (1999) and Unbreakable (2000). Orphan, a tale of a couple who adopt a girl from an orphanage only to get thrown into a world of mis-deeds, mis-fortunes and mis-takes, could be added as the fourth cleverly twisted thriller of the past two decades. For that not only the writer and director but the shining star of this film Esther (Isabelle Fuhrman) should be appreciated with a round of applause. It is not just the idea that is the primary force behind the success but the screenplay fits well to the dark ambience. The argument of the violence justification perhaps will render itself un-necessary. The writing is hypnotic and shocking. The director doesn not fail to justice the screenplay. The false impression of ghostly possession of the protagonist leading to a conclusion is very 'Hitchcockian'. In fact the director makes a homage to the famous stop-light-confrontation of the leading lady by her boss in Psycho (1960), if stretched further to Butch-Marcellus confrontation in Pulp Fiction (1994). Another memorable scene is when camera sits next to sleeping Max (Aryana Engineer) in the dark room and the lightning flash from the window shows her adopted sister Esther standing next to her bed. Director accomplishes a horrifying tone to this thriller throughout. Watch for the modification of the studio logos in the beginning of the film.
Isabelle Fuhrman hovers over the film with a winning smile. This 12 yr old actor has a great potential and will help her in her upcoming career. Alongside Aryana Engineer and Jimmy Bennett as siblings have shined as well. Especially Aryana. Wonder how director executed the chilling scenes without affecting all the child stars. Maybe Mr. Kubrick attended the filming in spirit and gave suggestions from The Shining (1980). Finally the parents, play the roles of a believer and a non-believer in each other's theories. Posing as opposing thought invokers for the audience. This is also the writers' achievement.
In a nutshell, if you haven't been scared intelligently then Orphan is waiting for you. Just sit back and bite your nails because you may not find time to chew on the popcorn.
My rating: 8/10.
In a nutshell, if you haven't been scared intelligently then Orphan is waiting for you. Just sit back and bite your nails because you may not find time to chew on the popcorn.
My rating: 8/10.
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